![]() ![]() One can always convert color into monochrome afterwards, for example. ![]() One should also consider whether the quality of a monochrome sensor outweighs the flexibility of a color sensor. On the other hand, color filters also reduce available light by up to two thirds, thereby offsetting any sensitivity gain from monochrome. This might include using a red filter with landscapes, since these normalize the otherwise stark contrast between blue skies and green foliage, while also enhancing local contrast within each region. For example, those familiar with traditional black and white photography may want to use lens-mounted color filters to control scene contrast. However, not all advantages will be realizable, depending on intended use. Such improvements in image quality can be critical when shooting video that might later be used for stills in print advertisements. In many ways, the advantages of monochrome sensors are very similar to traditional monochrome film: image noise is lower at equivalent ISO speeds, and resolution is higher. In practice, this can mean that images will have a slightly higher usable dynamic range, especially when considering that monochrome shadow noise is typically less objectionable than with color. With color, clipping can occur in just the red, green or blue channel, whereas with monochrome, clipping is an all-or-nothing process. Another benefit is that monochrome sensors typically have more predictable highlight clipping.
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